Jan. 28th, 2008

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 by Jace on January 28, 2008

I'll be blunt: Benjamin Linus scares the living bejesus out of me.

So I was a little terrified (to put it mildly) to be in the same room with Michael Emerson, who plays the villainous (or is he?) Ben on ABC's Lost.

But I am glad I put my irrational fear of Ben out of my mind as the soft-spoken Emerson was the very opposite of the character he plays on Lost: articulate, charming, and disarming... which just might be what makes Ben so dangerous.

I sat down with Emerson to talk about what we could expect for Lost's fourth season (kicking off on ABC this Thursday) and the ruthless leader of the Others.

Q: In the last part of Season Three, we learned a great deal about Ben’s backstory. Do you view him as a hero or a villain? And going into Season Four, does your perception of him change?

Emerson: Well, I’ve always had a notion that there was something heroic about him, that there was more to him than met the eye. That notion has been challenged somewhat by the sort of wickedness that seemed to be his, late in Season Three. But I’m going to hold on to the idea that we will revisit some of those events and they will be put in a new context. I think it’s still possible that Ben’s secret agenda is a heroic one.

Q: Throughout your career, you’ve been attracted to very complex characters. What about Ben attracts you as a performer and what about him do you find so incredibly engaging?

Emerson: I don’t know if I’m attracted to complex characters or really simple characters. Maybe it’s a little of both. But I do like that Ben is ambiguous. I’ve always liked that. I think because it tells the truth about people in general and about wicked people in particular that we don’t wear much of who we are on the surface. So, I enjoy playing him in a sort of a neutral gear and I think it leaves more to the audience’s imagination, which is what everyone in show business should be in the business of.

Q: At the end of Season Three, we saw Ben striving to prevent the castaways from activating that satellite phone and he was, at the very end, bloody and beaten. What kind of circumstances, both emotional and physical, do we find Ben in at the beginning of Season Four?

Emerson: We pick right up where we left off. The early part of Season Four is, if anything, more blood, more beatings, more violence. It’s… a period of upheaval in the lives of the Lost-aways and their adversaries and, of course, there are new adversaries as well.

Q: Were you surprised about the twist ending at the end of Season Three?

Emerson: I thought it was a stroke of genius. To project the show into a third sort of dimension of time, this is the thing that will make Season Four so great. It's some highly subtle video game we’ve now broken in to the tier of expertise so, a show that was previously two armies of adversaries working in two dimensions of time, now it’s going to be three armies and three dimensions of time. But it just gets more complex and, I think, more grown up.

Q: While I know you can’t go into specifics about Season Four, in terms of the dynamic between your character and Elizabeth Mitchell’s Juliet, do we see another shift in that sort of adversarial, sometimes on the same side dynamic?

Emerson: Yes, that relationship gets explored regularly on the show, generally in flashback, as far as I know. But... there are present day confrontations about to erupt.

Q: What do you hope to see for Ben in Season Four?

Emerson: What do I want to see for Ben in the fourth season? I hope that Ben is able to remain as compelling and mysterious as he has been. I think we’ll see Ben face greater challenges with fewer resources and that he might be propelled into a sort of a more heroic aura.

Hmmm, a heroic aura for a character who has proven himself a Machiavellian manipulator of the highest order? Stranger things have happened on Lost and I for one can't wait to see what happens to Ben next.

___________________________________________________________________

Season Four of Lost launches Thursday, January 31st at 9 pm ET/PT on ABC.

SOURCE: The Televisionary
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 [We see the jungle and hear someone running. The view is low to the ground. We hear panting. It’s Vincent. He passes open suitcases and sniffs them. He hears a whistle. We see legs. It’s Christian. Vincent runs up to him. Christian talks to Vincent.]

Christian: Hey there. Come on. Come on. Come on. Good boy. Come on. Come here. Come here. Good boy. Yes. [He leans down and pets him.] I need you to go find my son. He’s over there in that bamboo forest, unconscious. I need you to go wake him up. Ok. Go on.

[Vincent whines and runs off.]

Christian: He has work to do.

[We see Jack’s eye open just like the beginning of the pilot. Jack wakes up slowly, looks around, sees Vincent come through the jungle. Vincent whines, runs by him, and runs off. LOST black screen.]
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After watching the last Mobisode (#13—http://spicedogs.livejournal.com/177966.html), this screencap (I will put it under the LJ cut for those of you who don't want to get spoiled) is making more and more sense:

   

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Under the blanket

Compare his size to the man's shoe



I received these pictures from one of my rescue lists. It is an albino whitetail deer. The mother left him on the road. I guess she knew that living with her, either she, he, or both would have died. This lovely rescuer (from Rhineland, WI) found him, fed him, and gave him to a rehab farm, where he will live out his life. This type of albino deer is very rare. It occurs one in a million births. The man's shoe is next to the deer to show us how small this creature was.

__________________________

Here's the note that came with the pictures:

A very eventful day around here... A once in many lifetimes experience! I saw this lil' feller run out in front of a car—thought it was a lost baby goat. Stopped to get it, and WOW!! A real Albino Whitetail Deer. Just hours old, but doing fine. No Momma deer around. Another car nearly hit it in front of me.

Well, he is the neatest thing any of us ever saw. And such a "freak of nature", that only 1 in more than a million is even born. He took his bottle of food, followed us around the house, and is doing great. So, we called the Zoo & Fossil Rim, who were both interested. But we're going to send him to a Rehab farm. Maybe he will make it in captivity somewhere and be appreciated. So rare... Sure wanted to keep him tho. But, not the thing to do. And not LEGAL either. Here are a couple of pictures to show you. He was snow white, pink eyes, ears, nose and hooves. Kids called him POWDER. He was SO small. That is my shoe lying beside him... WOW...how cool is that??
 

A normal whitetail deer looks like this:

A baby

An adult



As always, click on the picture to view the larger version.

 
spicedogs: (Carrie Preston)

Carrie Preston Is Reluctant Nanny in NYC Reading of ‘Esther Demsack’ Comedy

Kenneth Jones Playbill On-Line Mon Jan 28, 5:58 PM ET

Olivier Award nominee Stafford Arima (London's Ragtime, the regional Ace and Off-Broadway's Altar Boyz) directs the five-actor reading to feature Lynn Cohen ("Sex and the City," Lincoln Center's Ivanov, Off-Broadway's The Model Apartment), Noah Galvin (Ace), Carrie Preston (Broadway's Festen, The Tempest, TV's "Lost") as Esther, Claudia Shear (Dirty Blonde) and Robert Stanton (Broadway's The Coast of Utopia, Off-Broadway's Fuddy Meers, All in the Timing).

The presentation will be at 4 PM Jan. 29 at New York Theatre Workshop's 4th Street Theatre, 83 E. 4th Street between Second Avenue and Bowery.

According to notes from the playwright, "Esther Demsack [Preston] thinks she has finally arrived. Called to the office of prominent New York publisher David Brewster [Stanton], Esther is horrified to discover it's not her novel he wants - it's her, as governess to his 12-year-old son, Everette [Galvin], cute as a button, smart as a whip, and about as straight as Charles Nelson Reilly. Everette wants desperately to turn Esther into his very own Auntie Mame, and with the help of his crazy Lebanese neighbors [Shear and Cohen], he almost does. But Esther resists Everette's manic attempts at Mamedom, and digs deeper to find the dark secret that is haunting him and the entire Brewster family."

Finnegan's other plays include Any Solid Color Other Than Black (two-time Eugene O'Neill Theater Center National Playwrights Conference semi-finalist, MCC Theater reading); Begin Measured Mile; At the End; The Dander of Female Poplars, or One Queens Parade; and Little Boy Lost.



SOURCE: News.Yahoo.com

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